feelings must be felt in accordance to their nature
Throughout the past years of my life, I have grown very fond of a posthumanist approach to sound — caring for and considering our entanglements with the systems surrounding us, and the notions of the unheard: all that lies outside of our hearing range and all that we have systematically chosen not to pay attention to — the traumatised child, marginalised voices (nonhuman as much as human), witches, our ecosystems.
I wonder what happens if we approach all this with care, solidarity, and curiosity, and explore what happens when we erode human centrality in art.
These are the things I am interested in exploring through field recordings and electronic mediation, such as alienation, embodied practices, and patience.