After four intense years in the Fine Arts track at the Minerva Art Academy in Groningen, I am closing this chapter of my life with a thesis work titled “Weeping Oscillations Map the Body” — an 18-minute sound piece at the intersection of vulnerability, memory, and sonic experimentation.
The work navigates the space between the heard
and the unheard, using field recordings, granular synthesis and spoken word to give shape to what resists articulation.
and the unheard, using field recordings, granular synthesis and spoken word to give shape to what resists articulation.
Nominated for the Minerva Art Academy Research Price 2025
